Thursday, 26 November 2015
BWB - Reflection on brighton shoot 4
When where and who?
Me, Oli, Luca and Freddie drove up to Brighton on the morning of 25th of November. Our intentions were devote 40 minutes to completing the dancing shots, firstly of just Me and Luca, then many more involving Ollie as well. We did this all in a skate park which we spotted on approach to the City centre. After successfully completing these shots we went into the city centre and parked up. We completed the rest of our footage here, away from the beach as we wanted to create the effect that we were still in London to create continuity from our last shoot, therefore deliberately avoiding the beach.
My role in Production
My role throughout production was to drive the crew to and from Brighton. When we arrived my role was to successfully play the protagonist throughout filming and playing the role of director in some circumstances. Additionally I choreographed a successful dance routine which both Luca and Oli could effectively execute.
How useful was the shot list?
The shot was very useful in helping us achieve the broad range of footage we filmed. We arrived in Brighton with a clear understanding of what we needed to film and could frequently refer back to the shot list if we had forgotten what to shoot next. The shot list meant we were confident that we completed all the shots before we left to go home.
What where your best shots?
Our best shots where definitely at the start of the day throughout the dancing sequence. This was due to the excellent quality of the graffiti and the sheer quantity of it which we could use. This enabled us to get a lot of dancing footage in front of different walls which can be used to create a faster intense cutting rate when edited, enhancing the audiences interest.
Any problematic shots?
We had issues when filming in the City centre. When filming many members of the public would be either looking or pointing at us whilst we were filming, therefore making some scenes look unnatural. In addition to this some of the framing of the shots was incorrect and we didn't manage to shoot enough close ups like we intended to.
Me, Oli, Luca and Freddie drove up to Brighton on the morning of 25th of November. Our intentions were devote 40 minutes to completing the dancing shots, firstly of just Me and Luca, then many more involving Ollie as well. We did this all in a skate park which we spotted on approach to the City centre. After successfully completing these shots we went into the city centre and parked up. We completed the rest of our footage here, away from the beach as we wanted to create the effect that we were still in London to create continuity from our last shoot, therefore deliberately avoiding the beach.
My role in Production
My role throughout production was to drive the crew to and from Brighton. When we arrived my role was to successfully play the protagonist throughout filming and playing the role of director in some circumstances. Additionally I choreographed a successful dance routine which both Luca and Oli could effectively execute.
How useful was the shot list?
The shot was very useful in helping us achieve the broad range of footage we filmed. We arrived in Brighton with a clear understanding of what we needed to film and could frequently refer back to the shot list if we had forgotten what to shoot next. The shot list meant we were confident that we completed all the shots before we left to go home.
What where your best shots?
Our best shots where definitely at the start of the day throughout the dancing sequence. This was due to the excellent quality of the graffiti and the sheer quantity of it which we could use. This enabled us to get a lot of dancing footage in front of different walls which can be used to create a faster intense cutting rate when edited, enhancing the audiences interest.Any problematic shots?
We had issues when filming in the City centre. When filming many members of the public would be either looking or pointing at us whilst we were filming, therefore making some scenes look unnatural. In addition to this some of the framing of the shots was incorrect and we didn't manage to shoot enough close ups like we intended to.
Tuesday, 24 November 2015
FC - Refection on Shoot 3
On Tuesday the 18th of November at lunchtime Ollie, Brad and I filmed what will be the final scene of our video. We set up the drama studio with party related props such as balloons and we also made good use of the lights that were at our disposal. The best shot we collected was a pan which features the different coloured lights, this could be our opening shot. Furthermore we had to planned our shoot thoroughly to produce the best footage possible. for example we shot the footage on an own clothes day, we also asked people to attend our shoot during the assembly in the morning. Another factor of our shoot was that it required a lot of people to do what we asked them, I feel that we dealt with this well and minimised people messing around.
I shoot the footage of the over the shoulder shots however this didn't go very well because the footage was shaky and the lighting was revealed to be too dark when we looked at the footage afterwards. This means that these shots will need work in terms of editing and aftereffects so that's quite annoying.
I shoot the footage of the over the shoulder shots however this didn't go very well because the footage was shaky and the lighting was revealed to be too dark when we looked at the footage afterwards. This means that these shots will need work in terms of editing and aftereffects so that's quite annoying.
Sunday, 22 November 2015
Group - Call sheet, shot list, risk assessment (25/11/15)
TWGSB Media
Studies Film Production
Call Sheet &
Shot list
Date:
25/11/2015 Location: Brighton
Meeting
Time:9:00 Group:6
Crew & Cast Contact details:
Bradley Warwick Browne Phone:
07897483229
Oliver Hurditch Phone:
07165587992
Freddie Carus Phone:
07888672312
Luca Besate Phone: 07985463213
_____________________ Phone:
_____________________ Phone:
Props & Equipment crew responsible
Camera (canon 50d) All crew
Tripod Freddie
Carus
Camera bag Ollie Hurditch
Location
|
Shot
number (on storyboard)
|
Cast
|
Technical
notes
|
Brighton
recreational park
|
Brad
|
Final
one of two shot on graffiti wall to subsidise the missing ones from the
London shoot.
|
|
Brighton
recreational park
|
Brad
|
Second
one of the two with Brad dancing against a graffiti wall
|
|
Brighton
recreational park
|
Brad
and Luca
|
Brad
and Luca dacing against graffiti wall in sync 1
|
|
Brighton
recreational park
|
Brad
and Luca
|
Brad
and Luca dacing against graffiti wall in sync 2
|
|
Brighton
recreational park
|
Brad
and Luca
|
Brad
and Luca dacing against graffiti wall in sync 3
|
|
Brighton
recreational park
|
Brad
and Luca
|
Brad
and Luca dacing against graffiti wall in sync 4
|
|
Brighton
recreational park
|
Brad
and Luca
|
Brad
and Luca dacing against graffiti wall in sync 5
|
|
Brighton
recreational park
|
Brad,
Luca and Ollie
|
Brad,
Ollie and Luca dancing on the same 5 back drops as Brad and Luca were dancing
on in sequence 1
|
|
Brighton
recreational park
|
Brad,
Luca and Ollie
|
Brad,
Ollie and Luca dancing on the same 5 back drops as Brad and Luca were dancing
on in sequence 2
|
|
Brighton
recreational park
|
Brad,
Luca and Ollie
|
Brad,
Ollie and Luca dancing on the same 5 back drops as Brad and Luca were dancing
on in sequence 3
|
|
Brighton
recreational park
|
Brad,
Luca and Ollie
|
Brad,
Ollie and Luca dancing on the same 5 back drops as Brad and Luca were dancing
on in sequence 4
|
|
Brighton
recreational park
|
Brad,
Luca and Ollie
|
Brad,
Ollie and Luca dancing on the same 5 back drops as Brad and Luca were dancing
on in sequence 5
|
|
Brighton
Lanes
|
Brad,
Ollie and Luca
|
One
long continuous shot where the camera continuously pans around the characters
as they interact, this can then be intercut in post production
|
|
Brighton
shopping center
|
Brad,
Ollie and Luca
|
Walking
around the shopping center, on this particular shot we’ll be going into urban
outfitters looking at different types of clothes and picking them up
|
|
Brighton
shopping center
|
Brad,
Ollie and Luca
|
Walking
around outside messing about on the benches and interacting
|
|
Brighton
shopping center
|
Brad,
Ollie and Luca
|
Walking
to a spot to take a selfie
|
|
Brighton
shopping center
|
Brad,
Ollie and Luca
|
Shot
of the selfie in a three shot with only our faces in the frame
|
|
Brighton
shopping center
|
Brad,
Ollie and Luca
|
Walking
off to location after the camera pans down to look at the phone
|
|
TWGSB Media
Studies Film Production
Risk Assessment
You
need to consider all the potential risks at each location shoot and outline how
you will work to prevent any accident or injury to you, your cast or the
equipment.
|
Location
|
What is the hazard?
Think about road safety, filming at
night, potential damage to equipment
|
Who/what might be harmed and why?
Think about who needs to be aware of the
risk
|
How will you reduce the risk?
What steps will you take to ensure that
the risk is lowered?
|
|
On
the roads
|
Getting
hit by a car if we are negligent when crossing the road
|
One
of the team could be harmed and even the equipment could be damaged in the
process.
|
Look
both ways when crossing the road and make sure that all the team stay
together
|
|
In
the town
|
The possibility
of getting mugged
|
We
may get some of the equipment stolen which wont be good as we’ll have to then
pay for it
|
Make
sure that the equipment is on hand all of the time and that we don’t flash
the expensive camera about for criminals to eye up.
|
|
In
the town
|
The
possibility that if the roads are wet due to it having rained then it could
cause a slipping hazard.
|
The
team would be at risk from slipping as well as the equipment if they are to
be dropped as a result of the slip
|
Make
sure that we take extra care if it does eventually rain.
|
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